It’s okay to be white because this phrase embodies submission to the alien invader only emphasised by the act of cowering behind masks. let us explain we have received numerous emails referring to the phrase “its okay to be white” since its inception in 2017. Now with the launch of this new push supported by Patrick Little it is necessary to flesh out our original critique.
The phrase was constructed as a dialectic devised to demarcate Caucasian boundaries; fencing white people into a submissive and defensive stance from the onset. Regardless of what apparent white advocate speaks out in its favour no battle lines are drawn or war won by an army bowing to its enemy. More than 30 years prior to the seizure and occupation of Eastern Europe a malignant foreign element known to be hostile to it’s European host was blatantly preaching violent insurrection on the streets of Europe.
Jewish terrorists had been actively subverting the Russian political landscape for decades with numerous political assassinations and attempted assassinations. The most prominent was the Jew Vera Figner who assassinated Alexander II in 1881 and in 1887 Aleksandr Ulyanov, the older brother of the Jewish Bolshevik Vladimir Lenin who organized an assassination attempt on Alexander III. Jew Grigory Andreyevich Gershuni founded the SR (Jewish) Combat Organization in 1902 that planned and executed the assassination of Dmitry Sipyagin, the Minister of the Interior, in April 1902, the attempted assassinate of Prince Ivan Mikhailovich Obolensky, the Governor of Kharkov, in July 1902 and the assassination of N. M. Bogdanovich, the Governor of Ufa, in May 1903. Jewish terrorist Evno Azef organized and
headed the assassination of Minister of the Interior Vyacheslav von Plehve in 1904 and the murder of the Tsar’s uncle, the governor of Moscow, Grand Duke Sergei Romanov in 1905. In 1906 Jewess Fanny Kaplan was arrested in Kiev over her involvement in a terrorist bomb plot directed at Prime Minister Pyotr Stolypin. Stolypin was only slightly injured by flying splinters, but 28 others were murdered—among them his 15-year-old daughter. Stolypin’s three year old son was also seriously wounded. Then in 1911 the Jew Dimitri (Mordecai) Bogrov achieved Stolypin’s murder by shooting the Russian Prime Minister in the Kiev Opera House, in front of Nicholas II and two of his daughters. Stolypin died four days later. These overt acts of political terror against European sovereignty led swiftly to the Jewish Bolshevik seizure of Eastern Europe and the savage murder of Tsar Nicholas II, his family, and four retainers on the night of 16-17th July 1918. The Jew Yakov Yurovsky was Chief executioner with Jewish lieutenant Grigory Nikulin, and other Jews responsible for the European monarchs murder- Pyotr Yermakov, and P. S Vaganov.
So let us make this clear, molested or not, the Jews forcefully assert their ideology even in the face of apparently hopeless odds. Never have they approached their masters cap in hand with the phrase please sir it’s okay to be Jewish! Although the Jewish slow march through our institutions is almost complete we are still on familiar territory and it perturbs us that those that take leadership positions believe that an insipid phrase obviously spun by a Jewish think tank could serve anything other than Jewish interests.
Post victory over Europe the new Jewish authority made steps to deracinate the host and the 1960’s was the pinnacle of this drive. Fracturing the generations was only the beginning for this Jewish psyop. With its origins in the Frankfurt School Jewish Zio-Marxist thought was a fundamental attack on European culture and heritage. Apparently inspired by Ghandi, symbolic of the fall of the British Empire, Martin Luther King’s ‘peace marches’ are a prime example of Jewish dialectical strategy: the coloured races are conned into believing they can peaceably conquer while the Caucasian is lead to believe such tactics work. Meanwhile the world has been crafted through violence, an implement our enemy has keenly affirmed with its seizure of Europe, yet the tainted past now presented to us provides a false dichotomy. Constructed by the enemy, like the phrase “its okay to be white” the boundaries are defined for the nationalist and consequently the Jewish authority has the ‘rogue’ element contained.
Sexual Perversion encompasses a pattern of degenerate sexual behaviour that includes homosexualism, paedophilia, miscegenation, transsexualism and bestiality. The cultural norms of human societies all over the world have developed an evolutionary rejection of these social ills as a means of survival. In fact the term ‘homosexuality’ wasn’t coined until 1869, by Karl-Maria Kertbeny. The entire concept of two people of the same sex being exclusively attracted to each other as a ‘sexual identity’ was a product of the ‘liberal’ 19th century. Prior to the concept of ‘Uranian’ man formulated by Karl Heinrich Ulrichs, there were ‘acts’ of sodomy and such like but no concept of a ‘sexual orientation’ outside of man and woman. The same can be said for perversions such as paedophilia. In Greek antiquity there were instances of pederasty, but the metaphysics of this was not based on a concept of ‘orientation’, but domination and hierarchy.
While the term Sexual Bolshevism became popular in the 1920s, the political manipulation of aberrosexual behaviour pre-dates this by some time and grew out of freemasonic Jewish decadence in liberal capitalist urban centres in late 19th century Europe. The phrase Sexual Bolshevism in reference to the political nurturing of degenerate sexual behaviour seems to have been coined in Germany by Ludwig Hoppe, a Lutheran pastor from Berlin. In 1921 he wrote a pamphlet called Sexual Bolshevism and Defence against same (“Sexueller Bolshevwismus und seine Abwehr”). In this he blamed sexual agitators for spreading venereal diseases and dysgenic degeneracy. With the decline of Traditional Christianity in cities such as London, Paris, Berlin, and Vienna, concerns about morality were high in the Church. Elsewhere new ‘scientific’ and philosophical concepts were postulated in regards to the meaning of history. It was at this point that those of Jewish heritage such as Karl Marx✡ framed the so-called ‘class struggle’ and Sigmund Freud✡ postulated sex (libido) as the primary motivating force of history. A member of the Judeo-Masonic secret society B’nai B’rith, Freud authored Three Essays on the Theory of Sexuality in 1905 and Beyond the Pleasure Principle in 1920. Hence references to ‘Bolshevism’ were related to Jewish Marxists being the force behind the normalisation of sexual perversion. Particular examples are Magnus Hirschfeld✡ and his Scientific-Humanitarian Committee and a decade later, Wilhelm Reich✡ who founded SEXPOL as an official wing of the Communist Party of Germany.
Following the failure of state-Communism and working-class ethnic Europeans largely rejecting the attempt by the Jewish Bolsheviks to enslave and destroy gentile society, radical Jewish supremacists began to mould Sexual Bolsheviks (i.e. radical sexual perverts) into a new proletariat. Now Sexual Bolsheviks feature as tools alongside other manipulated patrons in the field of identity politics such as third-world immigrants and radical feminists. Inspired by the cultural Marxism (Political Correctness) of the Frankfurt School, a group of US-based Judaics developed a variation on critical theory called “Queer theory” to enhance the homosexual agenda. Michael Warner✡, Eve Kosofsky Sedgwick✡ and Judith Butler✡ are at the forefront of this. Along with third-world miscegenation and abortion, homosexuality is a primary perversion promoted in society, under the guise of ‘tolerance’, ‘equality’ and ‘diversity’ as part of a rival Jewish supremacist strategy to attack the indigenous White European demographics.
In Britain alone the marketing of sex as a past-time implies promiscuity and children are the direct targets. For example Channel 4’s Sex Education Show regularly provides explicit sexual information and live naked bodies to teenagers. The programme even goes as far as inviting parents to speak to their teenagers about their intimate sexual lives. The object is to have parents provide their children with contraception and allow promiscuity into their homes. The availability of free contraception, particularly condoms to teenagers only exacerbates the notion of a risk free ‘game’. The likes of Embarrassing Teenage Bodies flaunts the idea of teenage sex at music festivals and university ‘freshers’ fairs as if it is ‘normal’ for teenagers to ‘experiment’ when in fact it is irresponsible behaviour. It is also a smashing opportunity to warn about sexually transmitted diseases (STD’s) that maybe a nasty reminder of too much unprotected sex. Never mind just make sure you get yourself down to a sexual health clinic and use protection in future… Advertisements for Chlamydia screening commonly have smiling apparently sexually active White teens in them compounding the notion of promiscuity in the European rather than the imported African Negro. This is incredibly dehumanising as promiscuity really isn’t that far from prostitution and maybe that is the point; redefining, particularly the White European female as sexual meat, while emasculating the White European man. There is a substantial difference between the notion of the White male-labelled such merely because it saw fit to be born with external genitalia, and the White Man builder of civilisations and an ideal the Jewish Bolshevik wishes to eradicate. Thus when confronted with the fully awakened White Man the Judaised Marxist will see only the twisted world of Zionism’s creation and spout rhetoric of the knuckle dragging Authoritarian. In the modern Marxist regime this marginalises the true White Man leaving only the conformist white male. He being coy feminised and the quintessential nerd, according to Zionist propaganda, where does White Woman turn. The answer is Jewish Zionism’s Hollywood illusion. Here manifests the artificial ‘hero’, a pretender to the ideal of civilisation building White Man produced from the ‘impotent’ African Negro. Understand unlike Great White Man the negro male has never built anything only destroyed. The trick of the Jewish Bolshevik is to transmogrifying the impotent Negro male into the Great Civilisation Building White Man. This is achieved through the magic of the media (smoke and mirrors). Consequently the notion of miscegenation becomes ‘normalised’ thus heralding the demise of the White race.
The introduction of Sexual Bolshevism in all its perverse forms was meant to have a dramatic impact on the moral base of the White European. The availability of contraception incites promiscuity. Combine this with abortion and the ‘homosexual’ agenda White birth rates are well below replacement level. However, the use of immigration to ‘encourage’ miscegenation only confirms that the Jewish Zionist agenda is not merely to attack ethnic European demographics but to wipe the White race out completely.
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‘German’ Jewish director Fritz Lang’s ‘classic’ thriller M is about a murderous child molester. Released in 1931, the film speaks for itself. Initially we see a city almost paralysed with fear; citizens dutifully protecting children become suspect merely for speaking to a lone child. In modern society this is all too familiar. Adults now steer clear of the unattended child for fear of the paedophile brand. In this light has advertisement really protected our children or made them all the more vulnerable.
Here the term ‘advertisement’ is used in the broadest sense of the word for we can ‘advertise’ in many different ways. While the horror in M was only implied, in the years since Lang’s thriller films containing content of shocking and brutal violence have hit our screens. Not only is this violence reserved for the picture house but its scenes are cascaded over billboards and TV screens in an effort to publicise. This brutality and violence also appears in the graphically realistic computer and video gaming media readily on view to children.
While this so called ‘entertainment’ is not supposed to be targeted at children its method of transmission is so invasive that it occupies the very social space. In this respect this repugnant phenomenon is what apathetic White man has allowed Western society’s ‘culture’ to become. Furthermore the explicit displays that haunt Western cinemas and creep onto the TV screens calling itself ‘entertainment’ appear as a sinister reflection of the constantly streaming news media. However, this begs the question ‘what came first the chicken or the egg?’ The insinuation is that reported news incites the fabrications of Hollywood. However, as early as 1931 a movie depicting child molestation when this perversion was not highlighted in the news paints a rather different picture. This type of film has promoted a mode or pattern of behaviour in the West that on the one hand desensitises but also extenuates what violent inclinations exists. Apparently life really does imitate ‘art’ or the Jewish Marxist rendition of art.
Unsurprisingly then other renditions of Marxist Jewish ‘art’ now pervade the West. Black is hailed as the ‘Hero’ in the Hollywood movie convincing the White female of the inadequacy of the White male. There is a significant difference inferred upon the notion of the White male-labelled thus since it saw fit to be adorned with external genitalia, and White Man-the builder of Civilisations that Jewish Marxism wishes to eradicate. Meanwhile the Zionists fill Europe with this. The true cost is ignored by stupid White Liberals who swallow the false guilt spoon fed by the Zionist media. Consequently these are the female White trash that mixes with the immigrant coloniser that bastardise and ultimately destroy the White race.
The overt miscegenation through immigration is cunningly augmented by Whites own altruism. Zionists registered charities bombard the West all year round with the ‘poor’ starving Third World. On a superficial level this turns the White outward against his own racial community and desiring the protection of another over your own is unnatural. This is sustained with the Marxist Zionist illusion that the White West built its Civilisation on the backs of the coloured Third World and thus ‘owes them’ a living. The Black slave trade is a prime example. Mainstream Zionist propaganda promotes the notion that the White European is wholly responsible. In reality of course Blacks sold each other into slavery and in Europe and America Black slavery has a far more Jewish flavour.
Charities or privatised pet projects of various celebrities or politicians step up their begging at Christmas time. Remember the most famous pet project from Band Aid-Feed the World. All those artists coming together to tell the ‘West’ about those ‘poor destitute (Black) Africans. A similar ‘feat’ was attempted in 2000 with Michael Jackson. Incidentally despite the accusations of paedophilia Jackson’s music is still played and he is hailed as some sort of hero. On the other hand the press has hung, draw and quartered Gary Glitter. Quite possibly playing his music would be perceived as a criminal act by the Marxist Zionist elite. Apparently ‘justice’ has a colour bias.
Whenever art or culture is presented in a Zionist Marxist forum it is discussed as a global phenomenon or a ‘human’ endeavour giving the impression of a single human animal without deviation. Yet dig a little deeper and see that the great civilisations to spawn such art and culture are White in origin. Archaeology and the sciences are uncovering genetic remnants of those cultures.
However, these are not the ‘facts’ exposed through Zionist means. These images the Zionist controlled media do NOT want White Europe to see. The White public will find that the breakthroughs made in the sciences will engender a Marxist twist prior to their consumption or merely disappear. So when a gentleman of Caucasoid appearance was discovered in North America there appeared to be something of a cover up! As with Governments in Britain and Europe, it seems North America has too been absorbed by this creeping political correctness. “There is nothing wrong with your television set. Do not attempt to adjust the picture. WE are controlling the transmissions…” Sound Familiar, while this may be the opening of American Si-Fi series The Outer Limits, this sentiment is far truer than you think. There is a subtle difference between the original 1963 intro and the re-make. Originally the public were to go on a ‘great adventure’ now ‘they’ threaten to subvert our minds by “deluding us with a thousand channels or expanding one single image…” Think about that and the parasites that control the Western media.
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Art is the method the artist uses to lift the spirit. Art is a spiritual relief from materialism; a need or requirement similar to that which religion attempts to provide but fails by becoming dogmatic. Spirituality is the search for the best part of us and art is the physical manifestation of this search. Remnants of this can be viewed all over Europe. For much of his time the artist resides in a place that the mass cannot perceive. Part of the work of the artist is to allow the public to glimpse into his world. The true artist fishes raw from a dimension familiar to very few. These discoveries compel him to interpret within a more inclusive realm. However, what Marxism calls ‘art’ serves only to debase, corrupt and drag down he who participates in its space.
Case in point some things are universally disgusting: all cultures and nationalities are repelled by faeces and urine. Naturally this gives Marxist the excuse to slap it on a canvas, call it ‘art’ and stick it in the galleries of Europe. All at once the exalted place of the ‘artist’ as redeemer of the Aryan spirit is ‘condemned’ as he is replaced by comedians airing the Zionist ‘Europeans’ dirty laundry.
This is England, land of Green Mountains and pleasant pastures, but the landscape is also being changed. It is very subtle at first, a palm tree appearing in a neighbouring garden. Then next-door-but-one follows suit. This might sound somewhat innocuous. After all not all garden plants are indigenous to the British Isles’. The point is though it is usual for a garden plant to blend with its environment. The palm tree is an obvious interloper, a definite foreign element. In fact it has become a rather common sight so see a dead palm tree in English Gardens precisely because they are not ‘designed’ for the British weather!
Modern architectural design has also been affected. A dangerous ‘design’ fault to have landed on the British shore is the ‘Dome’ fetish. Rather than reflecting the religion of the land, new designs have seen fit to incorporate the faith of foreign imports. As stated this was subtle to begin with, but clearly our traditional forms-ancient gothic structures are no-longer ‘the fashion’. Instead modern structures are often stark mirrored or glass-utilitarian boxes. The gradual phasing out of great gothic arches, huge towers and spires in favour of a flat box or ever more ‘inverted’ design is suggestive of the purging of Christian heritage from Britain and the invasion of an architectural atheism.
The colour palate is also out of control. Hot Pinks, Vivid Limes, and Bright Purple are not traditionally associated with Britain and Europe. Colours such as these belong on a beach in the Caribbean. Yet traditionally BLACK hackney cabs parading around as if in an eternal Caribbean Carnival… and city council vans seeking ‘gay abandon’ in shocking pink. Of course White male emasculation is clearly one reason for a Marxist inspired politically correct council to paint their vans hot pink. Another is not content with importing a replacement population; the corrupt Zionist authorities need to introduce this import’s tastes along with them, thus eradicating any remnants of a British culture or identity. This is multiculturalism at work one of the various aspects of cultural Marxism (Communism). While the illusion of Cultural Marxism (Communism) promises utopia and ‘equality’ in reality it initiates chaos and destroys difference.
Liverpool’s 2008 City of Culture was a prime example of this. Billed as the “world in one city” evidence of indigenous Scouse culture was at best ‘hidden’ or worse eradicated. The canny Scouser saw the Liver Bird, an ancient symbol of Liverpool steeped in history, replaced with a lurid yellow Japanese invention with absolutely no connection to the City. This inane monstrosity, one mans apparent response to genetic engineering, was to be Liverpool’s new Global logo. The indigenous people of Liverpool have never been asked if they wanted their identity replaced by Japanese mass produced ‘plastic’. Never the less multicoloured reproductions of this freakish foreign import clutter OUR City.
2008 was also the year that the Liverpool Metro Newspaper ran an “alternative A to Z of Merseyside entitled A Great City with Culture to spare. No doubt this was to coincide with the “City of Culture” farce. This article featured a letter I for “in a parallel universe”. In this nightmare vision Liverpool’s dock region is barely recognisable. A lumpy mirrored ball called “The Cloud” but looking in reality far more like a crumpled crisp packet dominates the scene. In the passage that accompanies the picture we are told that Japanese-designed domed structures will house a Caribbean beach! Yes this is apparently a “parallel universe”. However, it was planned and designed, think about those palm trees. How long before we do see Caribbean beaches encroaching on our ‘pleasant pastures’. The Zionist does not like European culture and is seeking to destroy the Britain and Europe that we know by infecting it with foreign and Marxist influences. By stealth what the White man fails to see is the lowering of his standards of taste and decency. Only reflect on the rampant paedophilia displayed within the Labour Party http://labour25.com/ and consider if these are the ‘leaders’ that should be legislating over your children.
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The cross of St Patrick is the symbol meant to celebrate St Patrick’s Day, just as the Cross of St George is meant to celebrate St George’s Day. However, as we reached March mainland England was bombarded with Green, White and Orange of the tricolour.
No animosity at all is felt towards the Irish people. However, the tricolour is the flag of Eire the Republic of Ireland and St Patrick is the Patron saint of the whole of Ireland. Therefore, the tricolour is not meant to celebrate this patron’s day. One should see that this is a blatant political move in that in England St David was completely ignored on March 1st while tricoloured bunting was already on sale. Similar to the planned ‘Republican’ march through an English City there is a high level political agenda. Labour Marxists have united with their brother IRA and intend to split kin race and intensify sectarian violence.
Meanwhile, on St George’s Day, if the corporate Zionist remembers, the English are treated to a repeat of the George Gross plastered all over footballs. This is another political manoeuvre by Zionist media to belittle the English. In “Come on England” the Zionist is in fact implying that the only ‘heritage’ the English have is football. Ironically while White man did invent ‘the beautiful game’ he is now a spectator to the sport that is being populated by Africa’s excess.
When set against each other these displays of supposed ‘national’ celebration reveal the perfect opportunity for Zionism to play their divisive ‘games’. Elevating St Patrick over and above St George in the consumer market pushes it to the forefront of the mass mind. In this way the corporate Zionist is politicising St Patrick by using the tricolour and marginalising the English by ignoring St George or ‘relegating’ it to football. In reality while the tricolour is the flag of the Irish people or the Irish Republic, Zionism is trying to contaminate it with Marxist IRA connotations. Their intention in doing this is to stir up sectarian violence. Sectarianism is another means to distract the Gentile mass while Zionism makes a profit.
The crosses of the patron saints combine to form the Union Flag. Given the emblem of St Patrick is the heritage of the whole of Ireland, St Patrick’s Day is the perfect opportunity to call upon and celebrate the day in unity.
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As usual a large candelabra called a Menorah has appeared in the foreground of the George Hall in Liverpool. A member of staff in the George Hall Heritage centre informed that this is to celebrate the Jewish festival of Chanukkah and has been placed by Liverpool City Council. Chanukkah is observed for eight nights and days starting on the 25th day of Kislev according to the Hebrew calendar. This may occur at any time from late November to late December in the Gregorian calendar. It is ‘curious’ then that it is always chosen to co-side with the Christmas period. There is a very sinister plot afoot, for example the precise time chosen to place the Menorah, about a week prior to Christmas, yet there is not a Christmas tree in sight.
All too quickly our beloved traditional Christmas is being stolen away from our folk. Only last year a nativity play was postponed in favour of a Muslim festival. The Christmas holidays are replayed with bland terms such as ‘winterval’ and already people are wishing each other ‘happy holiday’ or ‘seasons greetings’ instead of a rousing MERRY CHRISTMAS.
Yet this is only the beginning. So far a huge decorated Christmas tree stands proudly in Liverpool’s Lord Street, but for how long. 80% of Americans confess to be Christian yet it is illegal to place any Christian paraphernalia on public land. In fact Rabbi Elazar Bogomilsky threatened the Port of Seattle with a law suit if they did not place a menorah next to the Christmas Trees in Seatac airport cancelling Christmas for the majority of travellers. Yet can you imagine what icon was erected just across from the White House-yes that’s right a huge great Menorah.
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